Showing posts with label Cameras. Show all posts
Showing posts with label Cameras. Show all posts

Monday, 4 April 2011

Check Out Olympus 50mm f/2.0 Telephoto Macro ED Lens for E1, E300 & E500 Digital SLR Cameras for Too low to display

Olympus 50mm f/2.0 Telephoto Macro ED Lens for E1, E300 & E500 Digital SLR Cameras Review





Olympus 50mm f/2.0 Telephoto Macro ED Lens for E1, E300 & E500 Digital SLR Cameras Feature


  • Specially treated to shed water droplets, and engineered to withstand the rigorous demands of professional use
  • Designed to capitalize on the design advantages of the OLYMPUS Four Thirds System
  • Large f/2.0 aperture, with minimum weight and bulk
  • 50mm range -- equivalent to 100mm in conventional 35mm photography
  • For use with the OLYMPUS E-1 and other Four Thirds Series Digital SLR Cameras, as specified



Olympus 50mm f/2.0 Telephoto Macro ED Lens for E1, E300 & E500 Digital SLR Cameras Overview


D1) OLYMPUS 50MM F/2.0 ZUIKO MACRO


Olympus 50mm f/2.0 Telephoto Macro ED Lens for E1, E300 & E500 Digital SLR Cameras Specifications


One of the brightest Zuiko digital lenses is the Olympus 50mm f/2.0 medium macro lens. Offering an equivalent to 100mm on a 35mm camera, the lens boasts a maximum magnification ratio of 0.52x along with a minimum focusing distance of 9.45 inches, letting you get nice and close to your subject. The extra-low-dispersion (ED) glass element, meanwhile, reduces chromatic aberrations to deliver superior image quality with high resolution and good contrast. Add an EX-25 extension tube and you can focus to approximately 1x, equivalent to 2x on a 35mm camera. All Olympus lenses carry a one-year warranty.

Specifications

  • Focal length: 50mm
  • Maximum aperture: f/2.0
  • Lens construction: 11 elements in 10 groups, including 1 ED glass element
  • Angle of view: 24 degrees
  • Closest focusing distance: 9.45 inches
  • Maximum image magnification: 0.52x
  • Minimum field size: 33.3 x 25mm
  • Number of blades: 7
  • Minimum aperture: f/22
  • Filter size: 52mm
  • Tele converter: EC-14
  • Extension tube: EX-25
  • Lens hood: LH-55
  • Lens cap: LC-52
  • Lens case: LSC-0814
  • Dimensions: 2.8 inches in diameter and 2.4 inches long
  • Weight: 10.6 ounces
  • Warranty: 1 year


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*** Product Information and Prices Stored: Apr 04, 2011 10:17:20

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Friday, 26 November 2010

Zeikos Universal Lens Adapter for Compact Digital Cameras with 0.5x Wide Angle & 2x Telephoto Lenses + (3) Filters + Case + Tripod + Accessory Kit

Buy Zeikos Universal Lens Adapter for Compact Digital Cameras with 0.5x Wide Angle & 2x Telephoto Lenses + (3) Filters + Case + Tripod + Accessory Kit Order Today!


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Zeikos
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Date Created :
Nov 26, 2010 10:21:05

Kit includes:
♦ 1) Zeikos Universal Lens Adapter for Compact Digital Cameras
♦ 2) Digital Concepts 0.5x Wide Angle & 2x Telephoto Camera/Video Lens Set
♦ 3) Zeikos 3-Piece Multi-Coated Glass Filter Kit (37mm UV/FLD/PL) - Silver
♦ 4) Precision Design 5-Piece Lens Cleaning Kit
♦ 5) Precision Design PD-C20 Deluxe Carrying Case
♦ 6) Compact 50-inch Digital Travel Tripod

Attach auxiliary lenses and filters with the use of this adapter. Made from aluminum and NBR the adapter screws into L-Platform to the camera's tripod socket and is fully adjustable with the flex joint. The 37mm mounting thread attaches auxiliary lenses, filters, step-rings, and more.

This Wide-Angle Converter Lens extends the angle of your Digital Camera by a factor of 0.5x for taking wide angle shots such as indoor group shots, architecture, or landscape photography applications.

This Telephoto Converter Lens is a high performance optic that doubles the focal length of your camera's lens for enhanced 2X telephoto imaging. Ideal for wild life and sports photography, bring the world closer to you to capture all the details.

Zeikos lens filters are translucent glass placed in front of a camera lens to alter or adjust the light entering the camera and to protect the camera lens. This particular filter kit is a combination of the three essential filters no photographer should be without.

This padded carrying case includes a zippered main compartment with padded velcro divider, two large exterior zippered pockets, and two mesh pockets to securely hold your equipment and accessories.

Avoid camera shake and achieve maximum image quality by setting your camera on this sturdy, lightweight 50-inch tripod.



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Sunday, 17 October 2010

A Scratch Built RC Plane for HD FPV cameras

Another video from www.mikeysrc.com Little pet project of mine. I wanted to build a collapsible RC plane that I could take to remote locations to film interesting scenery. The first design was good but has some control issues I didn't like. It carried the weight well but required too much pilot input to fly.....probably because the fuselage was too short for the wings. So I scaled up my Sport Trainer mikeysrc.com design and put two motors on it on the sides so I could put the camera in the middle. Stay tuned for more videos from cameras on board this plane. Planes uses either one 2200mah 11.1V lopo or 2 1300mah 11.1V lipos. 2 1000KV motors, 2 10 X 6 GWS direct drive style props. 2 40 amp esc's 4 servos Music Burble Artist BL Underwood

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Sunday, 10 October 2010

Digital Cameras - Choosing the Right One

There are three basic types of digital camera, compact (type SLR or bridge "camera") and DSLR. DSLR and SLR-type look fairly similar, though DSLRs are larger and heavier. The most obvious difference between the two is that you can change the lens on a DSLR. However, there is much more to it than that. The dslr is fundamentally different and designed to operate in exactly the same way as a high-end photographic film. This makes it extremelyVersatile and unique type of digital camera capable of dealing equally well with any kind of photography.

If your budget does not run a camera, then you need to choose other types to which one suits your favorite type of photography better. The choice between compact and SLR camera is a bit 'more complicated in that both are equally suitable for many types of photography. For many people, the choice come down to convenience. Some simply prefer a camera that canslip into your pocket rather than the one they have to hang around his neck.

It 'true that high-end compact cameras on the market capable of producing images that are just as good as those from cameras. It is not the picture quality between these two types of camera, but rather the ease with which you can adjust the camera controls on them. Things like exposure compensation or manual focus are usually simple to adjust external controls on an SLR, butcan be buried at a depth between the menu of a compact camera.

Many cameras have "ways of program", for example, landscape, sports (or action) and the portrait and they set the camera so the best way for these types of photography. However, it is not the case that if the camera does not have either of these modes then you can not do this kind of photography. The only way that you really need are shutter priority and aperture priority. UntilThe camera comes with these two, then you can optimize the settings that the majority of photographic situations.

When choosing between the cameras best suited to a particular genre, you need to look a bit 'deeper into their specifications to find the best one for your favorite type of photography. There are four sets of numbers that count. It's about the goal, the number of ISO (defined as sensitive to light, the camera), aperture and shutter speed. It is those numbers that really matter when it comes to choosing the right tool for the job.

Portraits

This is the simplest case, because they are not really the particular needs of a camera for this genre. Most portrait photographers how to use depth of field (throwing the background out of focus), this requires a large opening. The size of the diaphragm is given as a number of F and the lower the number, the greater will be the opening. Ideally you want acamera> with the lowest number f, but in practice but, because there are other factors that influence the depth of field, it is not worth choosing a camera for portraiture in the number f alone. It would be better to choose a camera you find comfortable to use. Set the camera to aperture priority and use the maximum aperture, which will be the lowest number of f.

Landscape photography

Again, there is little to choose between cameras when comes to their suitability for shooting landscapes. The overall image quality will probably be your main concern. That said, a great zoom range (6x or more) is good because it will allow you to take a wider range of shots from the same point of view. A wide-angle lens is very useful in the work of landscape, but the zoom serial number does not help when comparing cameras to find out which one has the widest lens. The angle or field of view of aSlower is determined by its focal length, measured in millimeters. The smaller the number, the wider the lens. Unfortunately, it is not always possible to directly compare the number of cameras. What you need to find is the equivalent to 35 mm camera 's focal length. This is the only number you can use to make a direct comparison. A large depth of field is what most want to landscapes, to use aperture priority and set the minimum opening, which is the largest fnumber.

Night photography

You might think that a high maximum ISO value would be useful for night photography but it is not particularly. Much more useful is a long shutter speed. Of course you need a tripod (or some other media) for the camera, but setting a high ISO will create "noise" in photos. Usually you get a much better result with a normal setting ISO and shutter speed. You should try a longer shutter speed of at least 30 seconds,the longer the better. Set the camera to shutter priority and use the shutter speed longer than you have.

Close up (macro) photography

Most digital cameras have a built in macro structure, usually identified by a symbol of the flower. This allows you to focus on the subject from a few inches away. Even without that, you can still do the job by inserting a close-up macro lens. This is made easier to do if it 's camera lens has a thread to your filter.Working so close means that you will naturally have a very small depth of field. To contribute to this you should use Aperture priority and set the minimum aperture (largest f number).

Sports and action photography

Only digital SLR cameras are ideal for this kind of photography. This is because all the others have a certain amount of shutter lag so you can never be sure of catching the perfect moment in a fast-moving situation. Among other types, a reflex camera ismuch more practical for this type of work. If you want a camera with longer zoom range and shutter speed faster. Set the camera to shutter priority, use the shutter speed as fast as you can, zoom into action and start shooting.

There are some other types of photography, but not all requirements other than those mentioned above. For example, the phase (or group) has the job requirements are similar to sports photography and architectural photography islike shooting landscapes. No matter what type of photography you like, their is definitely a digital camera that is best suited. It 's just a matter of choosing the right tool for the job.

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Thursday, 7 October 2010

.42x HD Super Wide Angle Panoramic Macro Fisheye Lens For The Canon T1i, XS, XSI, XT, XTI, 50D, 40D, 30D, 20D, 10D, 5D, 1DS MARK 2 & 3, 1D MARK 2 & 3 Digital SLR Cameras Which Have Any Of These (18-55mm, 75-300mm, 50mm 1.4 , 55-200) Canon Lenses

Buy .42x HD Super Wide Angle Panoramic Macro Fisheye Lens For The Canon T1i, XS, XSI, XT, XTI, 50D, 40D, 30D, 20D, 10D, 5D, 1DS MARK 2 & 3, 1D MARK 2 & 3 Digital SLR Cameras Which Have Any Of These (18-55mm, 75-300mm, 50mm 1.4 , 55-200) Canon Lenses Order Today!


Design by :
DB ROTH
Over All Rating Reviews :

Great Deal :

Date Created :
Oct 08, 2010 01:00:05

.42x HD Super Wide Angle Panoramic Macro Fisheye Lens

-An essential tool for extreme sports and dramatic action shooters
-High Resolution Precision Optics, Day or Night & Great for Every Type of Photographic Situation!
-Multicoated optical glass
-Infrared compatible
Extreme speed auto focus

The High Definition² .42x Ultra Wide Angle Fisheye Converter Lens increases the versatility of your existing lens to provide breathtaking ultra wide angle views. And it's so easy to use! Additionally the built-in detachable macro lens allows you to take extreme high resolution close-up shots! Nothing changes the way you see the world like High Definition². Change the way you view the world. Enjoy outstanding detail, enjoy enhanced clarity.

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This adapter works great. I'm giving it 5 stars cauz it does the job and the price is reasonable.

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Monday, 23 August 2010

0.5x Digital Wide Angle Macro Professional Series Lens + DB ROTH Micro Fiber Cloth For The Nikon Coolpix P6000 Digital Cameras + Adapter Tube Included

Buy 0.5x Digital Wide Angle Macro Professional Series Lens + DB ROTH Micro Fiber Cloth For The Nikon Coolpix P6000 Digital Cameras + Adapter Tube Included Order Today!


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DIGITAL CONCEPTS1
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Date Created :
Aug 23, 2010 04:34:09


0.5x Digital Wide Angle Macro Professional Series Lens - When you've run out of room and your back's against the wall and you just can't seem to squeeze everything you want in the shot, just put on this wide angle lens attachment to get it all in the picture. This 0.45x wide angle attachment more than doubles your camera's wide angle field-of-view. You'll be able to get more of the scene in your scenic shots and more of the group in your group shots. The Wide Angle Lens's detachable Macro Lens enables you to photograph small objects up close. Great for jewelry, coins, stamps, flowers, and more. Even if your camera already has macro capability, this macro lens will get you even closer for truly amazing close-up photos.

DB ROTH Micro Fiber Cleaning Cloth - Eliminate dust and smudges from your camera and lenses with this handy microfiber cleaning cloth.
PLEASE NOTE: Some cameras require a adapter tube to fit the lenses

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Tuesday, 3 August 2010

.42x HD Super Wide Angle Panoramic Macro Fisheye Lens + Lenspen + 5 Pc Cleaning Kit + DB ROTH Micro Fiber Cloth For The Samsung GX-20, GX-10, GX-1L, GX-1S Digital SLR Cameras Which Has This (Schneider D-Xenon 18-55mm) Lens

Buy .42x HD Super Wide Angle Panoramic Macro Fisheye Lens + Lenspen + 5 Pc Cleaning Kit + DB ROTH Micro Fiber Cloth For The Samsung GX-20, GX-10, GX-1L, GX-1S Digital SLR Cameras Which Has This (Schneider D-Xenon 18-55mm) Lens Order Today!


Design by :
Schneider
Over All Rating Reviews :

Great Deal :

Date Created :
Aug 03, 2010 05:00:18


Kit Includes:

* 1) .42x HD Super Wide Angle Panoramic Macro Fisheye Lens

-An essential tool for extreme sports and dramatic action shooters
-High Resolution Precision Optics, Day or Night & Great for Every Type of Photographic Situation!
-Multicoated optical glass
-Infrared compatible
-Extreme speed auto focus

The High Definition² .42x Ultra Wide Angle Fisheye Converter Lens increases the versatility of your existing lens to provide breathtaking ultra wide angle views. And it's so easy to use! Additionally the built-in detachable macro lens allows you to take extreme high resolution close-up shots! Nothing changes the way you see the world like High Definition². Change the way you view the world. Enjoy outstanding detail, enjoy enhanced clarity.

* 2) Lens Pen - The perfect cleaning tool safe for all camera lenses, High quality Retractable nonabrasive Lens Brush, Removes fingerprints, smudges, and grease marks
* 3) Deluxe 5pc Cleaning Kit - This 5-piece kit contains an assortment of useful cleaning tools such as lens cleaning tissues, lens cloth, cleaning solution, a blower brush and cotton swabs
* 4) DB ROTH Micro Fiber Cleaning Cloth - Microfiber Cleaning Cloth - Eliminate dust and smudges from your camera with this handy microfiber cleaning cloth.
Please Note: Some lenses may come in black or silver depending on availability

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Friday, 30 July 2010

0.45x Digital Wide Angle Macro Professional Series Lens + DB ROTH Micro Fiber Cloth For The Canon Powershot SD990 SD950 SD900 SD890 SD880 SD870 SD850 SD800 SD790 SD700 SD40 Digital Cameras

Buy 0.45x Digital Wide Angle Macro Professional Series Lens + DB ROTH Micro Fiber Cloth For The Canon Powershot SD990 SD950 SD900 SD890 SD880 SD870 SD850 SD800 SD790 SD700 SD40 Digital Cameras Order Today!


Design by :
Digital Concepts1
Over All Rating Reviews :

Great Deal :
$24.99
Date Created :
Jul 30, 2010 06:38:07


0.5x Digital Wide Angle Macro Professional Series Lens - When you've run out of room and your back's against the wall and you just can't seem to squeeze everything you want in the shot, just put on this wide angle lens attachment to get it all in the picture. This 0.45x wide angle attachment more than doubles your camera's wide angle field-of-view. You'll be able to get more of the scene in your scenic shots and more of the group in your group shots. The Wide Angle Lens's detachable Macro Lens enables you to photograph small objects up close. Great for jewelry, coins, stamps, flowers, and more. Even if your camera already has macro capability, this macro lens will get you even closer for truly amazing close-up photos.

Specifications:
Optical System:Conversion type; mounts on front of existing lens.
Mounting System:Magnetic type in front of existing camera lens.
Optics:Designed to maximize use day and night with coated optics to provide maximum image transmission with minimum distortion.
Auto Focus:Utilizes camera auto focus system.
Adaptability:Maintains all the camera functions plus it provides wide angle lens conversion power.
Macro:The Macro mode is accomplished by unscrewing the front lens assembly and using the section labeled Macro with your existing camera lens.
High Definition Digital Lens
Anti-Reflection Coating
Multi Coated Optical Glass
Steel Barrel Design
Infared Compatible
Made In Japan
Lifetime Warranty

DB ROTH Micro Fiber Cleaning Cloth - Eliminate dust and smudges from your camera and lenses with this handy microfiber cleaning cloth.


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Monday, 26 July 2010

FullView Panoramic Cameras

Google Tech Talk May 27, 2009 ABSTRACT Presented by Vic Nalwa. Panoramic and spherical-view cameras today are by and large one of three types: 1. A single camera with wide-angle optics, such as a fisheye lens or curved mirror; 2. Multiple cameras looking out directly in different directions; or 3. Multiple cameras looking out off flat mirrors, which is FullViews patented approach. Whereas multiple cameras offer much higher resolution than any single camera, multiple cameras looking out directly are in general incapable of producing seamless, artifact-free and blur-free composite images no matter what, because of parallax. FullView evades parallax through its patented approach in which multiple cameras look out off flat mirrors such that all the cameras are effectively looking out in different directions but from the same single viewpoint. As a result, FullViews composite images, whether video or still, and irrespective of their resolution, are always seamless, artifact-free and blur-free, and they provide much higher resolution than outwardly pointing cameras. (talk based on www.fullview.com plus more technical details) Vic Nalwa, President, FullView, Inc., and inventor of the FullView camera technology when he was at Bell Labs

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Sunday, 4 July 2010

Canon EF 28mm f/1.8 USM Wide Angle Lens for Canon SLR Cameras

Buy Canon EF 28mm f/1.8 USM Wide Angle Lens for Canon SLR Cameras Order Today!


Design by :
Canon
Over All Rating Reviews :

Great Deal :
$0.00
Date Created :
Jul 04, 2010 22:00:05
EF 28MM F/1.8 USM

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The EF 28mm f/1.8 USM is an odd animal, with users either loving or hating its optical characteristics. Physically, there's nothing to complain about. The lens is solidly constructed, the focusing travel is contained within the barrel, it uses the USM system with full-time manual focus, and the filter ring is the popular 58mm style. All of these features nicely differentiate it from the EF 28mm f/2.8, which is comparatively compromised in all of these areas (but is probably a better value for the money, oddly).

The first sign of trouble may be the integrated rectangular shield inside the front element assembly. While this probably helps reduce flaring and artifacts, neither of its close relatives -- the EF 28mm f/2.8 or the EF 20mm f/2.8 USM -- require such a feature. Disagreeable vignetting can occur, even on a crop body and with moderately bright indoor light, when stopped open. Light bloom is also excessive when wide open, and some users have reported chromatic aberration, although I haven't personally seen it. Conversely, performance is excellent in very low light and outdoor night shots with long exposure times.

I consider this essential glass for flashless photography under low-light conditions, particularly indoors in close quarters, as the wide angle and wide aperture will effectively gather all of the light and people in a room. Combined with a high ISO setting in the 800+ range, sharp images can be taken at reasonably quick shutter speeds, then subjected to noise cleanup during post-processing. However I don't use the lens as much outdoors during daytime, or indoors in brightly-lit areas. The EF 20mm f/2.8 USM handles these situations far better and is a good complement for the EF 28mm f/1.8 USM.

Summarily, the main issues with this lens is price. For about 5, everyone should get one. But for the 0+ range where this lens usually sells, it is overpriced relative to what it offers. Hopefully Canon will develop a Mark II version of this lens that improves on the optical characteristics while retaining the physical features and build quality.

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Sunday, 27 June 2010

Day & Night City Life - Canon Vixia HF S21 / S20 / S200 Low Light

This is an amazing short film in full 1080p of Boston, in Massachusetts. This film features remarkable shots of Boston city at night, during the day, the city horizon, and more. This film was shot, created, and produced by HiiDefintion. I also created a custom sound track to fit this film perfectly. I got these outstanding shots using my new Canon Vixia HF S21 / S20 / S200 with a UV filter and a wide angle lens (WD H58), using MXP (24Mbps) mode and cinema mode at 24p frames per second. Most of these shots were taken at the waters edge, on top of skyscrapers, and within Boston. I edited this short film using Final Cut Express 4.0.1. and I color corrected most of the film to give this video a cinematic feel. This film shows the true capabilities of this camera under low light and normal conditions, and the picture is crystal clear! Make sure to subscribe, comment, and don't forget to rate! Thanks! Also feel free to ask any questions you might have! Check out the Sequel of the Low Light Sample in this link here: www.youtube.com Check out the Daylight Quality Sample in this link here: www.youtube.com

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Sunday, 20 June 2010

Kamera Lensler istifadə: Geniş Açı Lensler istifadə

Explore geniş açı lens; necə dərslik və rəqəmli kameralar üçün fotoqrafiya və kamera mülkiyyət bu pulsuz video kamera linzalar istifadə etmək üçün məlumat əldə edin. Ekspert: James Flint Bio: James Flint kompüter 10 ildən artıq peşəkar üçün çalışır. Film: Reel Media LLC

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