Monday, 31 January 2011

Sony NEX-5 - Kojak [First film shot entirely with NEX]

Clip shot completely with the brand new Sony NEX-5 digital camera during a Sony workshop. Only stock lenses were used: * 18-55mm f/3.5-5.6 Zoom Lens * 16mm f/2.8 Wide-Angle Lens * * * Realization: Maciej Magowski

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Friday, 28 January 2011

Panasonic Lumix DMC TZ7 - The wide-angle lens is a success!

The Panasonic Lumix DMC TZ7 is quickly becoming one of the most popular digital cameras in its class. Although it is not the smallest digital camera you can find, is certainly lower than many of its competitors, but the main thing that distinguishes him from others is that it has an impressive 12x optical zoom. It also has one of the broadest camera angles available, so when you consider everything, it is still a small camera, although it is is not small enough to fit in your pocket. As a wide angle lens can take pictures with fantastic scenery, the Lumix DMC TZ7 is probably one of the most flexible cameras on the market today.

Many digital cameras, Panasonic offers an optional feature and how to "extra zoom", and the Lumix DMC TZ7 no exception to the rule. Basically, if you opt for this feature you can have as a 21x zoom simply by setting the'S-megapixel camera> 3. As you can imagine, this feature just makes the camera more flexible than it is already without "extra zoom" feature. The camera also has "image stabilization" built, and of course when we talk so much zoom, image stabilization function is essential in order to capture the images that are clear and crisp.

If a good solid feel is anything to go by, it will automatically assume the camerawas done with a good build quality. Another interesting feature is the 460,000-pixel LCD on the back of the camera. With so many pixels, three inches is twice the standard of its competitors.

For those who like to create your own movies, the Lumix DMC TZ7 is an absolute blessing. Not only is it able to create their own movies in high definition, but you can also record audio with stereo. In addition, users will be pleased to know that they can zoom in or outeven while they're busy recording a movie. If you frequently work with digital cameras in the past know that this is simply not possible with the vast majority of the cameras, and you can also appreciate how important this type of function can be, especially when you have to acquire some special movies while you're filming your movie. To finish well, Panasonic has also incorporated film Special Scene modes so that the final movie might look likeprofessional as possible.

If image quality is of great importance to you, you will be overwhelmed by Lumix DMC TZ7. In fact, I doubt there is another camera in the same class can compete in terms of image sharpness, and of course this is something that would not automatically expect from a camera that has a wide angle lens.

The Lumix DMC TZ7 also stands out from the crowd when it comes to taking close-ups and macro shots.Let's say you often need to shoot macro, you'll never do without this camera.

People who are familiar with the Panasonic cameras know that most are now equipped with an intelligent auto mode, and this also applies to the company range of Lumix digital cameras. In general, this function allows the camera to decide what are the best settings, depending on the type of scene you are trying to photograph.

Whether you are afrequent traveler, or if you are simply looking for the ideal camera to take with you when you go on holiday, it will take to beat the Panasonic Lumix DMC TZ7 digital camera. Not only is one of the most flexible and versatile cameras on the market, but also produces images with quality that is second to none.

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Tuesday, 25 January 2011

advanced video mapping

advanced techniques for projection mapping onto architecture - I developed this method myself. please note - since making this clip I have found that camera angle of view is only critical with very wide and very narrow angles. so you only need to be accurate in selecting a camera lens if you are doing very short or long throw projections - what is important is that the camera lens is in exactly the same position as the projector lens

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Saturday, 22 January 2011

Wild Bird Photography tips

wildlife photography of birds can be difficult for many people, but practice makes perfect! Here are some tips to get started.

Choosing a camera - a digital SLR camera will be your best bet, because you can change the 'target of large - angle to macro. A few popular cameras to start are:

Canon Digital Rebel XS 10.1 MP 18-55mm lens - I own this camera produces images of wild animals for a largereasonable price.

Nikon D90 12.3 - If you are looking for a better camera that can include high definition video, this is your camera. It's a bit 'more expensive and does not include a lens, but worth it!

Blind - Unless you are photographing inanimate objects, you should try to use a blind to capture the wildlife such as birds or large mammals. If you have a car, which guarantees a perfect end.

action shots - These are truly the most exciting rounds,but require both luck and patience. Keep your distance and be ready for the shot.

Aim for the landscape - Try using a 24 mm - angle lens for landscapes. A-wide-angle lens will give you greater depth of field.

Depth - landscape photographs are much more powerful when you have the maximum depth. For example, if you take a picture of a moose, including the background. Remember you can always cut out but this technique will allowto include more colors and textures.

Tripod - For best image stability, use a tripod! There are many options and you will clear the light you have. Tripods are especially useful for self-timer or cable release. If you want to set the camera outside your feeder, but your birds are tentative, step in with a cable release!

Know your subject and practice! There are various species of birds that can be easily photographed, especially in your garden. Setyour power supply so that it can provide the best lighting and angle for your photograph. If you want to shoot birds in nature, go to the nearest swamp and red-winged blackbirds find. They are incredibly photogenic. Also, talking to other birders can provide unique information about local sightings.

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Wednesday, 19 January 2011

Five Tips for Choosing a Digital Camera

1) the budget. For many people this is the most important consideration when choosing a digital camera. It makes no sense to look at the top of the range professional digital SLR (DSLR) cameras when the budget is only $ 200. So, first you must decide how much you can spend on a digital camera and narrow your choices down to this.

2) Use. You must consider how often you use the camera and how you're going to use it. A great DSLR will be better for high-quality photos and has more options for different photography techniques. A compact and lightweight, it will be easier to carry around, making it more convenient for travel photography. A point and shoot compact camera will be great for photo albums of family and children.

3) Your experience. This is a key factor in choosing a digital camera. It 'important to understand that a simple point and shootCamera> in the hands of a beginner will best pictures of the top of the range DSLR. I know so many people who bought DSLR only to discover that they are too complicated, too big and the pictures are not better than a good compact camera. So if you are a beginner go for a point and shoot camera or compact camera. For the amateurs, there are entry level DSLR for professionals and there are professional cameras. E 'thatsimple.

4) Your favorite subjects for photography. Think about your favorite subject do you like the picture. If you like the scenery you should look for a camera that has a wider viewing angle. To search for portrait photography for the camera that the lens with maximum aperture (f-stop numbers on the lens) and sports and photograph the animals go for a camera with a telephoto lens. If you can not decidebuy a digital SLR or a compact camera with super zoom lens.

5) features. We have already examined the lenses, but there are so many other features of digital cameras. The biggest mistake you can do is to look at the resolution of the sensor and go for the highest number of mega pixels. Wile the resolution is not important is surely the most important feature of a digital camera. Creative controls are one of the main features you should look at when Choosing a digital camera. scene modes are all fine, but you should really try to control a manual camera options. Check the camera's accessories. A simple point and shoot camera does not have any, but an entry level DSLR has interchangeable lenses, flashes, light filters and others. Some compact cameras have the ability to add flash and wide angle or telephoto adapters to> Lens.

These are my five tips for choosing a digital camera, but before buying a camera you should do your homework. Read about digital cameras, the Internet is a great resource to find information about any digital camera. Do not be shy, if necessary, ask questions on forums about specific make and model of camera. And if you decide to purchase the camera over the Internet, go to a real store and try out the camera. And mostespecially good fun and good luck to find the right camera for you.

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Wednesday, 12 January 2011

Focal length for portraits - Zoom Imaging refined People

What is the best focal length for portrait photography? In other words, if you use a zoom lens, what is the best zoom position to take a picture of one or more people? What's different between a close-up and a full-length portrait? The answers to these questions will allow us to make images of the finest people we love to photograph.

In order to answer these questions we must first focus on what we do. It usually takes two things:


1) Playing 's
people without any distortion.

2) Throw the background out of focus to avoid a scenario of distraction.

To satisfy point 1) we should avoid getting too close to our subject. So this in turn leads to the question: what is the right distance from the subject? The answer is twofold, depending on whether you want a close-up, or rather a group of full-length 3/4-length portrait.

If you make a close-up, a short telephoto is the best choice, say a 80 mm> Lens. This lens offers normal perspective, while a standard 50mm lens would force the photographer to get too close to the subject and thus alter the perspective (a phenomenon known as "end"). If you view the case, the narrowest part of the subject's face (nose, chin) is greater than what they are, and the opposite would happen to the back of his head. Or, in the case of a large group, people's faces in front seems much biggerthan on the back. That is why, in the event of a large group, a target for longer than 80 mm would be better. If a 200mm is used for a close-up of the group, the background is completely out of focus, if that is what you want, thus fulfilling the previous point 2). This is because the greater the focal length, the shallower the depth of field (although this is rather improper). Be careful, though, to put all the faces on the same level of surface focus. Finally, avoidusing extreme telephoto (300mm), because, once again, the perspective becomes distorted, with all the characteristics of the subject appears compressed. Also, keep in mind that the closer to the edges of the frames, the greater the distortion. This is particularly true of large - angle lenses.

If you're doing a full-length portrait or group 3/4-length, a standard 50mm lens is the optimal choice. This time will be further away from the subject and the aforementionedview will not take place. Unfortunately, this goal will be impossible to separate the subject from the background, making it difficult to fulfill the requirement 2). The best you can do is use it with great openness, because it helps reduce the depth of field too. This recommendation also applies when the photographer is forced to run wide - wide to accommodate a large group in the frame and maintaining areasonable working distance.

Only if you use a compact digital or analog camera with a zoom, it has a 3x zoom lens, its focal length will be something like 35 mm when fully zoomed out (wide - angle position) and 105 mm when fully expanded ( telephoto position). On the other hand, if you have a 10x zoom lens that will be around 35-350mm. These equivalences will help implement the recommendations of this article.

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Sunday, 9 January 2011

Canon Digital IXUS 860 IS (Silver) 8.0 Megapixel

www.autogofast.com The compact camera for the serious photographer the 8.0 MP Digital IXUS 860 IS combines photographic prowess with compelling design. A 3.8x wide-angle Image Stabilizer lens captures every detail of panoramic vistas

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Thursday, 6 January 2011

Wide Angle+Macro Lens for iPhone 4 Unboxing/Review (iPod Nano 5th Gen, Cellphones, Kodak Zi8)

The Unboxing and Review of a Wide Angle lens for a wide variety of devices. You can remove (unscrew) the MARCO part from the main barrel of wide Conversion lens so that you can use it as a seperate MARCO lens. Pros: Increases 40% of view Cons: Adhesive magnet that does not still that good and comes off the back of iphone 4 and it covers up the flash on iphone 4. Sponsored by: www.usbfever.com Product Page www.usbfever.com **Follow me on twitter** www.twitter.comdargadgetz If you are a developer or company who wants me to review your product you can contact me at DarGadgetZ@gmail.com Features - Portable and detachable, you can take photo with your device at any time - You can use this conversion lens to make the wide angle shots as 0.67X - High Clarity: Made of high-class glass - Strong: Made of top-grade Aluminuim - Applicable to any devices How to attach the Lens to your device? - Mangetic - Magnetic thru a ring with self-adhesive tape How to use? - if you device is Magnetic, then it will be very simple, just put the lens directly ahead of your built-in lens, then you will get what you want. - Otherwise, you can use self-adhesive ring (included) to stick a magnetic ring in front of your built-in lens (to make it magnetizable) then put the lens on the add-on ring - You can change among our Wide Angle Lens, Fish Eye Lens and Marco Lens for your specific purpose - You can use this conversion lens to make the wide angle shots as 0.67X - All the wide conversion lenses marked ...

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Sunday, 2 January 2011

.42x HD Super Wide Angle Fisheye Lens + 2x Digital Telephoto Professional Series Lens + 0.5x Digital Wide Angle Macro Professional Series Lens + 3 Piece Digital Camera Filter Kit + 6-Piece Deluxe Cleaning Kit + Full Size Tripod + Deluxe DB ROTH Accessory Kit For The Panasonic DMC-GH1 Digital Camera Which Have A (14-45mm, 45-200mm) Lens

Buy .42x HD Super Wide Angle Fisheye Lens + 2x Digital Telephoto Professional Series Lens + 0.5x Digital Wide Angle Macro Professional Series Lens + 3 Piece Digital Camera Filter Kit + 6-Piece Deluxe Cleaning Kit + Full Size Tripod + Deluxe DB ROTH Accessory Kit For The Panasonic DMC-GH1 Digital Camera Which Have A (14-45mm, 45-200mm) Lens Order Today!


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Date Created :
Jan 02, 2011 15:45:09
Kit Includes:

* 1) .42x Macro Fisheye Lens - An essential tool for extreme sports and dramatic action shooters. The .42x Ultra Wide Angle Fisheye Converter Lens increases the versatility of your existing lens to provide breathtaking ultra wide angle views. And it's so easy to use! Additionally the built-in detachable macro lens allows you to take extreme high resolution close-up shots!

* 2) 0.5x Digital Wide Angle Macro Lens - When you've run out of room and your back's against the wall and you just can't seem to squeeze everything you want in the shot, just put on this wide angle lens attachment to get it all in the picture. The Wide Angle Lens's detachable Macro Lens enables you to photograph small objects up close. Great for jewelry, coins, stamps, flowers, and more.

* 3) 2x Digital Telephoto Lens - When your digital camera can't get you quite close enough to the action, this 2x telephoto accessory lens will bring the action twice as close to you. This is the ideal lens attachment for sports fans and parents whose kids play sports.

* 4) 3 Piece Filter Kit - Lens filters are translucent pieces of glass placed in front of a camera lens to alter or adjust the light entering the camera, and more importantly to protect the camera lens. This is a combination of the three essential filters no photographer should be without.

* 5) 6-Piece Cleaning Kit - This contains hurricane blower, lens cleaning tissues, lens cloth, lens cleaning liquid, blower brush and cotton swabs
* 6) Lens Pen - The perfect cleaning tool safe for all camera lenses
* 7) Deluxe Camera Case - Protect your valuable camera investment
* 8) Full Size Tripod - Tripod with Carrying Case
* 9) CapKeeper Lens Cap Strap - Never lose your cap again!
* 10) DB ROTH Micro Fiber Cleaning Cloth - Eliminate dust and smudges

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