Thursday, 30 December 2010

The different types of Photography

Photography is available in various forms and shapes. All these forms have their place in a very different scheme of things and everyone has to be done and dealt with in a very different and challenging. These forms challenge photographers of all time, together with such expertise, the photographer has to show a little ', the ingenuity and versatility as well.

Aerial photography is considered difficult. The photos are taken at a very high proportion and requires veryheart and adrenaline. Even the lenses required to perform this art should be different. The Canon and Nikon telephoto wide angle lens are two different lenses that can be used for aerial photography. These can be made by paying nominal Camera Lens Rental Florida. The altitude is high, the low levels of oxygen and air has a lot of turbulence.

Wildlife photography is another realm, that challengesthe photographer and pushes it to limits. There are a lot of intensity involved. Camera and capture the movements and the antics of wild animals is not what to say. It takes a lot of determination, concentration and skill. The first two come from within, but they can certainly be inserted in the camera by Canon and Nikon telephoto wide-angle lens. The object becomes clear through these easy to shoot.

Underwater photography can be aintricate art. Since all work is done under water, the photographer must get a lot of things ready before taking a plunge and start capturing the flora and fauna in the water down there. A normal lens will not work because the water blurs the image opposite. Special lenses such as Canon and Nikon telephoto wide angle lens to use. These lenses are expensive categorically to support these extreme forms ofphotography and, therefore, be very expensive. To avoid buying them, you can always rent by paying nominal Camera Lens Rental Florida.

wedding photography is one of the most popular forms of photography. Photographers do this can be found in large numbers. wedding photography is not as easy and enjoyable as it is usually thought of as. There is a lot of work going in a good wedding photography. The photographer has to stand the entire time catching people who sharelaughter, jokes and tears. The exact time should be frozen properly.

portrait photography requires great precision. The portrait should be captured in that moment, and instantly frozen in the photograph. Even the smallest mistake in taking the picture can lead to a lot of distortion and sabotage the whole effort. It must also be done with special lenses, such as the Wide Angle Telephoto Lens Canon and Nikon. Assume for aRated camera lens rental Florida and do your stuff. You'll see some wonderful results in output. The effort of all goes well with the lens on board.

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Thursday, 23 December 2010

Zi8 Wide Angle Driving Test

Stock Mic (For Now), .67x MagMount Wide Angle Lens Mod, 1.06 Firmware, EIS OFF. Stiff suspension and a very rigid cam mount can often lead to EXTREME 'jello' effects with EIS. I was playing music on the radio, and YouTube pulled my audio as a result. I don't see any option to disable audio, so this is the audio I have. I clicked the 'i'm feeling lucky' audio swap button.

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Monday, 20 December 2010

Canon PowerShot SX200IS Digital Camera Review

One of the first things you notice on the Canon PowerShot SX200 IS is that it seems a bit 'confused. This is a subtle body masquerading as a professional camera, or is an abridged version of a professional camera by putting it in the prosumer class? The reason for the confusion is not too difficult to imagine. It 's the long, wide-angle lens located bang in front of the camera. But if you are able to look beyondthis embarrassing design flaw, you'll be able to see the beauty behind the beast.

As with all new Canon cameras, there are a lot of options that make this camera a dream to use. The SX200 IS has two modes Auto. The owner 'Smart Car' allows the user to choose up to 18 specific settings. These settings are classified mainly on the type of scene, lighting conditions and the composition of the frame. If you want to go manual, you can derive endless hours ofpure joy just to experiment with different settings options. If you like this video, you will really enjoy the resolution of 1,280 x 720. However, when trying to video recording, optical zoom is disabled (to make the exercise rather pointless). The three-inch rear LCD screen has a large enough display space.

Another flash crib is miserable. I wonder why the designers put it where they did. The entire left side of the camera is virtually paralyzed by the presenceFlash driven there and there is absolutely no grip, especially because the body itself (in other ways) is pretty slippery. Irritating, the flash pops up for every shot, regardless of whether you use it, planning to use it, or not use it at all. It can not be pressed once you do this and you are left wondering who missed out on this crucial design flaw. Also the dials are pretty tight and efficient use of space does not seem to have been a priority. I would likelike to believe that these ergonomic features do not affect camera performance, but it's hard to ignore when they destroy the ease of use.

In conclusion, although the resolution, wide angle lens and has the technology that help this camera is best in class, the drawbacks are more than a little 'paralyzing. Who takes away the overall experience and this might not be a recommended option for those who are seriouslyWhereas enjoy the day click on the photos. It is undoubtedly a good car, but could have been much better!

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Friday, 17 December 2010

Samsung WB5000 Digital Camera

Samsung WB5000 Digital Camera -DSLR-like Design -12.5 Mega Pixels -Schneider Lens, 24x optical zoom with a 26mm wide-angle focal length -Dual Image Stabilization (Dual IS) -Full Manual Control -RAW Format Allowed -720p HD Movie Recording -Smart Auto, Smart Album

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Tuesday, 14 December 2010

Creative Vado HD 3rd Generation Video Camera Review

go.tagjag.com - twitter.com - Ever since I purchased it, I've been pretty happy with my Creative Vado HD first generation. I really like it because it has a wide-angle lens. Now, I have in my possession the Creative Vado 3rd Generation! It definitely looks a lot different than the one I already had, that's for sure. Let's see how it works! chris.pirillo.com - http

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Saturday, 11 December 2010

Kenko SGW05 37mm 0.5X Wide Angle Lens

Buy Kenko SGW05 37mm 0.5X Wide Angle Lens Order Today!


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$24.95
Date Created :
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The SGW-05 (0.5X wide angle) is designed to work with compact digital and analog camcorders having a 37mm filter thread. The wide-angle will double your field of view.

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Wednesday, 8 December 2010

Sony DSC-W310 Cyber-shot Digital Camera

The Sony DSC-W310/P Cyber-shot Digital Camera captures amazingly detailed images with a 28mm equivalent wide angle 4x zoom lens. With the Sony DSC-W310/P Cyber-shot Digital Camera, everything is made simpler with a 2.7-inch (diag.) screen and advanced features including Easy mode, iAuto and SteadyShot® image stabilization™. The Sony DSC-W310/P Cyber-shot Digital Camera features Intelligent Scene Recognition (iSCN) Mode that automatically detects seven different types of scenes and, within just 1/30th of a second, selects the appropriate camera settings.

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Sunday, 5 December 2010

BOWER 0.5x Wide Angle lens HD WITH MACRO 58MM (Silver)

Buy BOWER 0.5x Wide Angle lens HD WITH MACRO 58MM (Silver) Order Today!


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Date Created :
Dec 05, 2010 10:17:03
This lens is ready to be placed onto a standard lens and can work in two different modes: Super wide angle: x0.45 conversion, so if it is placed on a 35-80mm lens, you will have a 18-40mm lens, that covers all wide variations, from what we know as fisheye effect to a normal wide-angle (just by playing with your zoom). Macro mode: This is a lens that will enable to take close-up pictures. You will be able to take sharp pictures as close as 50mm from the subject (perfect for miniatures, coins, insects, flowers, etc..).

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Thursday, 2 December 2010

2x Digital Telephoto Professional Series Lens + 0.5x Digital Wide Angle Macro Professional Series Lens + 3 Piece Digital Camera Filter Kit + 6-Piece Deluxe Cleaning Kit + Lens Adapter Tube (If Needed) + Lenspen + Lens Cap Keeper + DB ROTH Micro Fiber Cloth For The Olympus PEN E-PL1 Digital Camera Which Has This (18-180mm) Olympus Lens

Buy 2x Digital Telephoto Professional Series Lens + 0.5x Digital Wide Angle Macro Professional Series Lens + 3 Piece Digital Camera Filter Kit + 6-Piece Deluxe Cleaning Kit + Lens Adapter Tube (If Needed) + Lenspen + Lens Cap Keeper + DB ROTH Micro Fiber Cloth For The Olympus PEN E-PL1 Digital Camera Which Has This (18-180mm) Olympus Lens Order Today!


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$94.99
Date Created :
Dec 02, 2010 13:21:03


Kit Includes:
* 1) 0.5x Digital Wide Angle Macro Professional Series Lens - When you've run out of room and your back's against the wall and you just can't seem to squeeze everything you want in the shot, just put on this wide angle lens attachment to get it all in the picture. The Wide Angle Lens's detachable Macro Lens enables you to photograph small objects up close. Great for jewelry, coins, stamps, flowers, and more.

* 2) 2x Digital Telephoto Professional Series Lens - When your digital camera can't get you quite close enough to the action, this 2x telephoto accessory lens will bring the action twice as close to you. It's perfect for all your long-distance photos of sporting events; candid portrait shots, as well as nature and wildlife photography. This is the ideal lens attachment for sports fans and parents whose kids play sports.
* Please Note Lenses may come in black or silver depending on availability.

* 3) 3 Piece Digital Camera Filter Kit - Lens filters are translucent pieces of glass placed in front of a camera lens to alter or adjust the light entering the camera, and more importantly to protect the camera lens. This filter kit is a combination of the three essential filters no photographer should be without.

* 4) 6-Piece Deluxe Cleaning Kit - This kit contains a Hurricane air blower, lens cleaning tissues, lens cloth, lens cleaning liquid, blower brush and cotton swabs
* 5) Lens Pen - The perfect cleaning tool safe for all camera lenses, High quality Retractable nonabrasive Lens Brush, Removes fingerprints, smudges,
* 6) CapKeeper Lens Cap Strap - This prevents lens cap loss with adhesive-backed disc attached to the cap. Never lose your cap again!
* 7) Lens Adapter Tube / Ring (If Needed) - Some cameras require an adapter tube to fit the filters, lenses
* 8) DB ROTH Micro Fiber Cloth - Eliminate dust and smudges

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Monday, 29 November 2010

Canon HV-30 Wide angle test

I've uploaded this short test due to the lack of videos showing the difference between using standard HV-30 or a HV-30 equipped with wide angle lens when shooting indoor. 99,9999% / all videos are tests of outdoor shooting. But at least me myself uses the camera 'bout 50% indoor / 50% outdoor. So just a bunch of outdoor tests won't tell how big the difference really are when using the wide angle lens indoor. Camera settings are all automatic. The lens is named Digital Vision.... 0.45. From PDS International. It comes with 15 years guarantee. I bought it in Orlando, FL for $400 with the 72mm UV-filter. They showed me live when throwing the lens right up in the air about 4-5 metres and it hit the floor in the store. Not a scratch, no damage at all. This lens really handle rough usage. Im no professional, but compared to my earlier "Digital High definition 0.45 wide angle lens" from "Japan Optics" i can really se big big big difference! The old one was $180 with battery included. The old one also shows that the experts in camera stores not talking bullshit that there is difference in lenses especially when it comes to high definition. If the old one could be classified as High Definition, my new one must be huge definition... The old lens blurring the picture. The camera cannot focus in all zoom levels with the old lens. When doing fast movements with the old lens, it doesnt manage to focus at all when stop moving. Then i have to zoom in and out to make the camera focus ...

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Friday, 26 November 2010

Zeikos Universal Lens Adapter for Compact Digital Cameras with 0.5x Wide Angle & 2x Telephoto Lenses + (3) Filters + Case + Tripod + Accessory Kit

Buy Zeikos Universal Lens Adapter for Compact Digital Cameras with 0.5x Wide Angle & 2x Telephoto Lenses + (3) Filters + Case + Tripod + Accessory Kit Order Today!


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Date Created :
Nov 26, 2010 10:21:05

Kit includes:
♦ 1) Zeikos Universal Lens Adapter for Compact Digital Cameras
♦ 2) Digital Concepts 0.5x Wide Angle & 2x Telephoto Camera/Video Lens Set
♦ 3) Zeikos 3-Piece Multi-Coated Glass Filter Kit (37mm UV/FLD/PL) - Silver
♦ 4) Precision Design 5-Piece Lens Cleaning Kit
♦ 5) Precision Design PD-C20 Deluxe Carrying Case
♦ 6) Compact 50-inch Digital Travel Tripod

Attach auxiliary lenses and filters with the use of this adapter. Made from aluminum and NBR the adapter screws into L-Platform to the camera's tripod socket and is fully adjustable with the flex joint. The 37mm mounting thread attaches auxiliary lenses, filters, step-rings, and more.

This Wide-Angle Converter Lens extends the angle of your Digital Camera by a factor of 0.5x for taking wide angle shots such as indoor group shots, architecture, or landscape photography applications.

This Telephoto Converter Lens is a high performance optic that doubles the focal length of your camera's lens for enhanced 2X telephoto imaging. Ideal for wild life and sports photography, bring the world closer to you to capture all the details.

Zeikos lens filters are translucent glass placed in front of a camera lens to alter or adjust the light entering the camera and to protect the camera lens. This particular filter kit is a combination of the three essential filters no photographer should be without.

This padded carrying case includes a zippered main compartment with padded velcro divider, two large exterior zippered pockets, and two mesh pockets to securely hold your equipment and accessories.

Avoid camera shake and achieve maximum image quality by setting your camera on this sturdy, lightweight 50-inch tripod.



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Tuesday, 23 November 2010

Reviews, Tests & Rates - Room VholdR ContourHD

1200 ContourHD VholdR wearable video recorder is the world's first hi-def MPEG Wearable recorder that combines video wonderful lucidity (choose between high-definition or high action), a wide-angle (135 degrees), the simple single button, and a click share internet experience.

Ideal for outdoor use, ContourHD VholdR camera can switch between crisp HD quality video (caught at} thirty frames per second) or a quality SD video (captured atsixty frames per second). This camera is the perfect complement to your door in crowds with its all-in-one design ContourHD has no wires or separate recorder. Instead of recording up to 9 hours of HD video on its internal memory card (compatible with up to 16GB microSD card). Its light aluminum (5 oz.) Armored body but allows you to capture videos in all weather conditions.

2 Video Settings - High Definition: fill the screen with vivid, widescreen (16, 9) actionvideo. With a full 1280x720 (pixels) of the window and 30 frames per second, your video will be just like I remember them, massive, great! High Action: very good to make the sport faster travel appear as smooth as butter. Recording standard definition video at 61 frames per second (twice the frame of TV video quality) to not miss any action.
outside doors attractive colors - the image sensor and processor of this tiny video camera ContourHD VholdRwere extra-tuned for the changing colors and lighting conditions you will experience during outdoor recording. The snow will be the definition, the lighting will transition when passing through the trees, and the clarity of the color has been altered so that the colors appear as rich as you remember them.

It captures the whole scene - the wider the angle of your goal of more scene you are able to capture. At 136 degrees, the new lens strikes the perfect ContourHDbalance to capture the entire scene without unduly distorting the scene.

Powered by a removable lithium-ion rechargeable battery, this powerful camera ContourHD VholdR charged via a USB cable connected directly to a personal computer. So now you can download your video recorder tapes, wires and batteries AA.

We have done our best to help you cut out wind noise and record the sounds of the action.

ContourHD VholdR camera - video is the WearableHi-D first helmet camera that can capture up to 8 hours of Hi-Def 16:9 widescreen action and is the Tahoee Mountain Sport helmet cam of choice.

Amazing 1280x740 pixels window shoots 32 frames per second in high definition and 61 frames per second in High 848x520px action to capture smooth as butter fast action sports.

Image sensor and processor ContourHD VholdR video camera have been enhanced to take out colorful doors of changing the light,the transition to provide the definition in the snow in the woods or as rich as you see in the real world

VholdR camera takes super ContourHD HD (720p) video with good clarity and color. Using the camera ContourHD VholdR could not be easier, mount (anywhere you can think of), come on, and when you are ready to record the slide action record button and go. The users say battery life of approximately 2-2.5 hours. The only negative ISpotted is a bit video'quirks' in extremely bright scenes, and, of course, being a POV camera is some'jiggling ', but one could argue that adds to the'realism' of the captured footage.

http://vholdrcontourhdcamera.blogspot.com

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Wednesday, 17 November 2010

Flip UltraHD fisheye proto-type test (HD)

I recently bought a Flip Video camera the UltraHD model, when I woke up today I had an idea to try to make a fish eye/wide angle lens work with the the UltraHD, this is my test, first it shows a car pass by and shows the fisheye effect, then I skate by, then switch heel, after I take off the lens and you see how it looks without the fisheye. with a wide angle or fisheye lens you can fit A LOT more into frame. I did this by myself on a tripod but will get other test later one

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Sunday, 14 November 2010

Reduce the cost Photography Lens Rental

Your costs may often find it difficult to photograph the extravagant spending that the question of goals. This should be facilitated by the fact that money spent could go over budget, which should later regret terribly. Costs must be cut so that the money that is saved can be used on some other purposes that may be of importance. One way in which these costs can be reduced is to rent the camera lens. Location camera lens> will cause the cost of stock can be reduced completely. The amount of money that splurges on the purchase of lenses can be cut to almost 1/3rd of the total cost of rent if the photographer's lens, uses them for the award, and then returns back before the due date.

Hire camera lenses is one of the best ways in which costs can be reduced. There have been times when you had to buy unnecessarilycamera lens> to the fact that they were not there for rent. Once the manual was over, then slow ones found their way into the closets where they were kept for eons of years before the next attempt to use them came. Now are times when the lenses can be easily rented and can be used and then back out once you use them over. What this means that the money that one has come to pass in the days of yore on the cameralenses can be saved immensely and the only money that one has the right to spend now and rent those lenses. Renting lenses are a great way to ensure that no one should not think of anything and everything you should do is to rent the lens and get on with other things.

There is nothing wrong with hiring goals. The lenses can be purchased at any retailer do with them, used for a specified periodtime and then returned at the end of the period of use is over. Rather than pay a huge sum for the lenses, pay the nominal rent is a better solution. Use them when you take a job, finish the job properly, and then they go back. You can rent lenses again next time when something comes up.

When you sit down and prepare the budget picture, the biggest concern you have is the amount you pay for the purchase of lenses. At least, this concerncertainly not be there when you rent lenses. Also, if you have a good record of credible pay rent on time, then the seller is always willing to lend you the more expensive lens that has in its collection. First they shall monitor the transactions dealing with a customer and once satisfied, they are willing to give anything. This fits best photographers available. They are able to use a wide range of lenses and can then take a variety ofassignments to work on.

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Thursday, 11 November 2010

Using Camera Lenses : Using Multiple Camera Lenses

Photography with multiple lenses; learn how to use camera lenses for manual and digital cameras in this free video on photography and camera ownership. Expert: James Flint Bio: James Flint has been working with computers professionally for more than 10 years. Filmmaker: Reel Media LLC

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Monday, 8 November 2010

.42x HD Super Wide Angle Fisheye Lens + 2x Digital Telephoto Professional Series Lens + 0.5x Digital Wide Angle Macro Professional Series Lens + 3 Piece Digital Camera Filter Kit + 6-Piece Deluxe Cleaning Kit + Full Size Tripod + Deluxe DB ROTH Accessory Kit For The Sony HVR-HD1000U, DCR-TRV900, VX2100, DSR-PD150, PD170 Mini Dv Camcorders

Buy .42x HD Super Wide Angle Fisheye Lens + 2x Digital Telephoto Professional Series Lens + 0.5x Digital Wide Angle Macro Professional Series Lens + 3 Piece Digital Camera Filter Kit + 6-Piece Deluxe Cleaning Kit + Full Size Tripod + Deluxe DB ROTH Accessory Kit For The Sony HVR-HD1000U, DCR-TRV900, VX2100, DSR-PD150, PD170 Mini Dv Camcorders Order Today!


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Nov 08, 2010 10:00:12
Kit Includes:

* 1) .42x Macro Fisheye Lens - An essential tool for extreme sports and dramatic action shooters. The .42x Ultra Wide Angle Fisheye Converter Lens increases the versatility of your existing lens to provide breathtaking ultra wide angle views. And it's so easy to use! Additionally the built-in detachable macro lens allows you to take extreme high resolution close-up shots!

* 2) 0.5x Digital Wide Angle Macro Lens - When you've run out of room and your back's against the wall and you just can't seem to squeeze everything you want in the shot, just put on this wide angle lens attachment to get it all in the picture. The Wide Angle Lens's detachable Macro Lens enables you to photograph small objects up close. Great for jewelry, coins, stamps, flowers, and more.

* 3) 2x Digital Telephoto Lens - When your digital camera can't get you quite close enough to the action, this 2x telephoto accessory lens will bring the action twice as close to you. This is the ideal lens attachment for sports fans and parents whose kids play sports.

* 4) 3 Piece Filter Kit - Lens filters are translucent pieces of glass placed in front of a camera lens to alter or adjust the light entering the camera, and more importantly to protect the camera lens. This is a combination of the three essential filters no photographer should be without.

* 5) 6-Piece Cleaning Kit - This contains hurricane blower, lens cleaning tissues, lens cloth, lens cleaning liquid, blower brush and cotton swabs
* 6) Lens Pen - The perfect cleaning tool safe for all camera lenses
* 7) Deluxe Camera Case - Protect your valuable camera investment
* 8) Full Size Tripod - Tripod with Carrying Case
* 9) CapKeeper Lens Cap Strap - Never lose your cap again!
* 10) DB ROTH Micro Fiber Cleaning Cloth - Eliminate dust and smudges

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Friday, 5 November 2010

Whitetail Buck Checking out a Doe Decoy

This is an application using the RF Video system I put together this spring. The video camera will be triggered by the remote wireless X10 motion sensors. The camera is a Sony MiniDV camcorder and will be setup to record in full color from the camera lens during the day and switch over to a IR video camera, which will tell the Sony camcorder to switch into VRT mode (like a VCR) at night. I have the camera setup high in a tree mounted with a security camera mount. This way I can cover a better angle to see what's going on below. I'm using a Flambeau Doe decoy and I stuffed a couple of cotton balls filled with doe scent between the leg mount on the decoy. I also put in a mock scrape. There are 2 X10 sensors to cover a wide sensing area. see www.pixcontroller.com for more information

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Friday, 29 October 2010

Nikon 16-35mm ƒ/4.0G AF-S ED-IF N VR (HD)

Thisvideo is a brief hands-on review on Nikon's newest super wide-angle lens of Nikon 16-35mm ƒ/4.0G AF-S ED-IF N VR. Enjoy. This video is available in High Definition (HD), hover the mouse above "360p" to extend out different video quality options, for HD (High Definition), click on 720p or 1080p. If you are having trouble watching the video smoothly, add this code, &fmt=22 to the end of this video's URL address then press Enter / Return to reload the video, it will play nicely in HD. Music: But Not For Me by John Coltrane

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Wednesday, 27 October 2010

REVIEW: Panasonic Lumix GF1

www.digitalhomethoughts.com Want to buy one? http [Affiliate] This is my review video of the Panasonic LUMIX GF1, easily the most unique camera I've ever had the opportunity to look at. It's similar to a DSLR in that you can change lenses, but the micro four-thirds system doesn't use a pentaprism or mirror, so it's not a DSLR. Panasonic calls it a DILC: Digital Interchangeable Lens Camera. I don't see "DILC" taking off as a term, but this camera is hot stuff...it's been selling out everywhere, and Panasonic is struggling to keep up with demand. It uses SD cards and supports SDHC. The GF1 has a 12.1 megapixel Live MOS sensor (17.3 x 13.0mm in size), capturing JPEG or raw images at a maximum resolution of 4000 x 3000 pixels. It's also capable of 720p video capture (1280 x 720) in either AVCHD Lite or MJPEG formats. It can shoot in burst mode, up to three frames per second. Like the video? Please rate, comment, and subscribe. Thanks!

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Sunday, 24 October 2010

Mennon DC-s(w) 72 Screw Mount 72mm Wide Angle Flower Lens Hood, Black

Buy Mennon DC-s(w) 72 Screw Mount 72mm Wide Angle Flower Lens Hood, Black Order Today!


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Date Created :
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The main function of the lens hood is to shade the lens from stray light, improving your contrast and image quality. But it will also protects the front barrel from the inevitable impacts against walls, door frames, and other real-life obstacles and in inclement weather, it can assist in keeping moisture or wind-blown debris off the lens. The advantage of the petal shape design is, that it offers the same prevention of flare as the corresponding circular or rectangular design, but with a smaller size and a lighter weight.

Installation:

* Rotate lock-ring to expose the thread's mounting thread * Attach the hood by screwing it on the filter or lens thread. * Rotate lock-ring back to fix the hood on the thread. * While fixating the hood with the lock-ring, keep the " " symbol on the hood exactly at 12 o'clock position for the correct perpendicular orientation of the higher sides of the hood.

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Wednesday, 20 October 2010

How to Modify the Flip HD Video Camera

Here is how we put a wide angle lens on a mino flip HD video camera...enjoy...

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Sunday, 17 October 2010

A Scratch Built RC Plane for HD FPV cameras

Another video from www.mikeysrc.com Little pet project of mine. I wanted to build a collapsible RC plane that I could take to remote locations to film interesting scenery. The first design was good but has some control issues I didn't like. It carried the weight well but required too much pilot input to fly.....probably because the fuselage was too short for the wings. So I scaled up my Sport Trainer mikeysrc.com design and put two motors on it on the sides so I could put the camera in the middle. Stay tuned for more videos from cameras on board this plane. Planes uses either one 2200mah 11.1V lopo or 2 1300mah 11.1V lipos. 2 1000KV motors, 2 10 X 6 GWS direct drive style props. 2 40 amp esc's 4 servos Music Burble Artist BL Underwood

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Thursday, 14 October 2010

SSF4 New Camera Calibration MADNESS pt11

In an unexpeted move, I decided to purchase a new camera today because my original Sony is beginning to die. I purchased the Canon PowerShot SX210 IS because of its stereo sound, wide-angle lens, and amazing adjustability. IN THIS SERIES OF MATCHES, PLEASE BARE WITH ME! I am adjusting the camera constantly between matches and therefore the video quality will rise and dip, get brighter and darker, etc. By the final match, I believe I've found the optimal settings. Please comment and let me know what you think!

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Sunday, 10 October 2010

Digital Cameras - Choosing the Right One

There are three basic types of digital camera, compact (type SLR or bridge "camera") and DSLR. DSLR and SLR-type look fairly similar, though DSLRs are larger and heavier. The most obvious difference between the two is that you can change the lens on a DSLR. However, there is much more to it than that. The dslr is fundamentally different and designed to operate in exactly the same way as a high-end photographic film. This makes it extremelyVersatile and unique type of digital camera capable of dealing equally well with any kind of photography.

If your budget does not run a camera, then you need to choose other types to which one suits your favorite type of photography better. The choice between compact and SLR camera is a bit 'more complicated in that both are equally suitable for many types of photography. For many people, the choice come down to convenience. Some simply prefer a camera that canslip into your pocket rather than the one they have to hang around his neck.

It 'true that high-end compact cameras on the market capable of producing images that are just as good as those from cameras. It is not the picture quality between these two types of camera, but rather the ease with which you can adjust the camera controls on them. Things like exposure compensation or manual focus are usually simple to adjust external controls on an SLR, butcan be buried at a depth between the menu of a compact camera.

Many cameras have "ways of program", for example, landscape, sports (or action) and the portrait and they set the camera so the best way for these types of photography. However, it is not the case that if the camera does not have either of these modes then you can not do this kind of photography. The only way that you really need are shutter priority and aperture priority. UntilThe camera comes with these two, then you can optimize the settings that the majority of photographic situations.

When choosing between the cameras best suited to a particular genre, you need to look a bit 'deeper into their specifications to find the best one for your favorite type of photography. There are four sets of numbers that count. It's about the goal, the number of ISO (defined as sensitive to light, the camera), aperture and shutter speed. It is those numbers that really matter when it comes to choosing the right tool for the job.

Portraits

This is the simplest case, because they are not really the particular needs of a camera for this genre. Most portrait photographers how to use depth of field (throwing the background out of focus), this requires a large opening. The size of the diaphragm is given as a number of F and the lower the number, the greater will be the opening. Ideally you want acamera> with the lowest number f, but in practice but, because there are other factors that influence the depth of field, it is not worth choosing a camera for portraiture in the number f alone. It would be better to choose a camera you find comfortable to use. Set the camera to aperture priority and use the maximum aperture, which will be the lowest number of f.

Landscape photography

Again, there is little to choose between cameras when comes to their suitability for shooting landscapes. The overall image quality will probably be your main concern. That said, a great zoom range (6x or more) is good because it will allow you to take a wider range of shots from the same point of view. A wide-angle lens is very useful in the work of landscape, but the zoom serial number does not help when comparing cameras to find out which one has the widest lens. The angle or field of view of aSlower is determined by its focal length, measured in millimeters. The smaller the number, the wider the lens. Unfortunately, it is not always possible to directly compare the number of cameras. What you need to find is the equivalent to 35 mm camera 's focal length. This is the only number you can use to make a direct comparison. A large depth of field is what most want to landscapes, to use aperture priority and set the minimum opening, which is the largest fnumber.

Night photography

You might think that a high maximum ISO value would be useful for night photography but it is not particularly. Much more useful is a long shutter speed. Of course you need a tripod (or some other media) for the camera, but setting a high ISO will create "noise" in photos. Usually you get a much better result with a normal setting ISO and shutter speed. You should try a longer shutter speed of at least 30 seconds,the longer the better. Set the camera to shutter priority and use the shutter speed longer than you have.

Close up (macro) photography

Most digital cameras have a built in macro structure, usually identified by a symbol of the flower. This allows you to focus on the subject from a few inches away. Even without that, you can still do the job by inserting a close-up macro lens. This is made easier to do if it 's camera lens has a thread to your filter.Working so close means that you will naturally have a very small depth of field. To contribute to this you should use Aperture priority and set the minimum aperture (largest f number).

Sports and action photography

Only digital SLR cameras are ideal for this kind of photography. This is because all the others have a certain amount of shutter lag so you can never be sure of catching the perfect moment in a fast-moving situation. Among other types, a reflex camera ismuch more practical for this type of work. If you want a camera with longer zoom range and shutter speed faster. Set the camera to shutter priority, use the shutter speed as fast as you can, zoom into action and start shooting.

There are some other types of photography, but not all requirements other than those mentioned above. For example, the phase (or group) has the job requirements are similar to sports photography and architectural photography islike shooting landscapes. No matter what type of photography you like, their is definitely a digital camera that is best suited. It 's just a matter of choosing the right tool for the job.

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Thursday, 7 October 2010

.42x HD Super Wide Angle Panoramic Macro Fisheye Lens For The Canon T1i, XS, XSI, XT, XTI, 50D, 40D, 30D, 20D, 10D, 5D, 1DS MARK 2 & 3, 1D MARK 2 & 3 Digital SLR Cameras Which Have Any Of These (18-55mm, 75-300mm, 50mm 1.4 , 55-200) Canon Lenses

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.42x HD Super Wide Angle Panoramic Macro Fisheye Lens

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The High Definition² .42x Ultra Wide Angle Fisheye Converter Lens increases the versatility of your existing lens to provide breathtaking ultra wide angle views. And it's so easy to use! Additionally the built-in detachable macro lens allows you to take extreme high resolution close-up shots! Nothing changes the way you see the world like High Definition². Change the way you view the world. Enjoy outstanding detail, enjoy enhanced clarity.

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Monday, 4 October 2010

Canon Video T2i - because it is a revolutionary camera for Filmmakers

With the arrival of the rebel T2i Canon 550D DSLR camera, filmmakers are the joy of using video T2i fee with his ability to shoot 1080p great cinematic images. The question is whether more directors have with this camera DSLR may be sufficient to produce their independent projects. So, let's take a look.

First of all, this camera is versatile and compact. It allows you to place the camera in very tight spaces and cornerswould not be able to deal with a much larger camera like the Panasonic P2. - The camera has both 24p and 30p video mode which means you can use for many different purposes to make a film, a video of the wedding or a corporate event and create fantastic results. It also gives you full control to manipulate the image manna. The depth of field in this DSLR is what gives the camera its breathtaking images. You can also shoot in slow motion with its variable frame ratecapacity.

Secondly, do not use the zoom supplied with the camera (you can choose to buy the body only). Invest in some prime lenses that will allow you to get sharper, clearer images. Since the T2i does not have a full frame sensor (APS-C is a chip with a harvest of 1.6 x a full frame) lenses are also cheaper. The largest investment in T2i will be slow - the best of the lenses, the better the image. So make sure you have a goodnormal and wide angle lenses to get you on the package of the camera.

Finally, the video T2i Canon is not without its drawbacks. It does not have a great body what it feels like plastic in hand, in contrast to the magnesium construction of the more expensive Canon 7D. If you shoot in extreme weather conditions, the camera may close. In addition, the audio options are nothing to shout home. Instead of using the audio in the camera is much betterusing an external audio set up for better sound, especially if you are recording the dialogue.

Finally, you can use the T2i Canon and its 1080p video images to produce great for your short films and even feature length. It will be a better idea to get 2 of these cameras in the long run. You can use it as a camera A and B for the simultaneous recovery, given the cost. T2i The Canon is a revolution of sorts, as it brings the cinema to the consumer mass market in the context$ 1000. So forget the cameras and more expensive to invest in T2i Canon and its video, if you're just starting out.

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Friday, 1 October 2010

Picture Perfect - 10 Tips for Better take pictures Expedition

The rule of thirds

When composing a picture, there often are inclined to put the main subject - be it a peak, a person, or a flag of prayer - in the middle of the frame. Although this can work at times - as measured by Steve McCurry's iconic portraits - often leaves the image opaque. A quick and simple remedy for this that liven up your images and the composition is to use the rule of thirds. The technique is simple: share your fame into thirds, andplace the main subject on the left or right, up or down, one third of the image rather than the center. This simple technique - a minor change of location - create energy and movement in the image and a dynamic and engaging composition.

Leapfrog!

Let's face it - head shots just do not work. Sure, they are easy to create - see your friend to get over you, pull out my camera, and insert an image. What comes out, however, is more often than not withoutof emotion in the face of the climber - the part that shows their emotion and tells more about the scene - is hidden. So from now on remember that childhood game of leapfrog. As a photographer shipping - that is the summit ridge of Everest or Mount Rainier - are constantly playing leapfrog with my subjects. I start the day in front of them, arrive at a good location with a dramatic setting to take a picture, set, shoot as I pass, baggage, pass, and set up another shot higher onthe mountain. It is not easy, but it makes a difference. Are you the rope, do not worry, wait until you are sure (in a break or when someone is tied off safely) and take pictures like that. Just avoid the infamous head shots please!

More is not always better

Our eyes, working in tandem with our brains are amazing devices. In the blink of an eye, you can pan around a scene, choose the interesting parts, and zoom in on them in our brains while still seeing the wholeview. With still images, however, we often need to help our viewers do not get distracted and refine the best part of a scene. And he often does nothing for our image, but it takes away ... and we better get more from less. To do this, use a zoom lens to pull an interesting topic in its own right in the frame ... or use the old tried and true tool - the legs. Yup, it's true, if your goal is not close enough to the subject to make the frame visuallyattractive approach, compose and shoot. It 's all in perspective!

PANORAMA

Northeast Ridge of Everest Camp VI on the north wall. It is a vision of a place's iconic symbol, but one whose imposing size and nature can not be captured in a frame of film (or sensor). The solution? Shoot multiple frames and stitch them together with the software landscape. Shoot multiple frames of your soon-to-be-scene, overlapping the edges of each image byat least 25%. Later, you can use one of the many views stitching programs available through a Google search, or, if you have Adobe Photoshop, use their built-in program Photomerge to put pictures together - works like a charm! Here are a few tips to make your views even better:

1. Look for the distortion: Many wide angle lenses display some distortion at the edges of the frame, this is easily visible when a straight line is placed at the sides of the frameand is folded or bent. Make sure you use the lens has no distortion (not a fisheye for a fixed focal length) or larger is sufficient to eliminate any distortion on the telephoto.

2. Use a tripod: Shooting a scene - and then stitching together effectively - requires a precision that is difficult to achieve without a tripod, especially if we are standing on the rocks shaky and labored breathing. Then, use a tripod (or a rigid and immobileas a rock) to make sure that the plane of the scene remains constant through all frames.

3. Lock the exposure: As you move from shot to shot the scene, the lighting of the scene will inevitably change. If you leave the camera in program mode, you will find the best exposure for each frame, sometimes causing drastic changes in light from first to last frame ... and making it impossible to put together later. The solution is to first pot back and forthacross the landscape, noting the exposure recommended by 's your meter. Then, find a middle ground between the range of f / stop and aperture. Lock this setting in exposure by using the manual mode and fire away!

4. Locking the white balance: Just like the above exposure, white balance will adjust as you pan your camera through the shot and the results are sometimes annoying. Be sure to lock the white balance to the appropriate setting: the sun, cloud, on request,etc.

They Room ... Will Get Shot

It sounds simple, but you'd be surprised how often people either leave their camera behind - and of course miss the pictures - or have pulled it out of reach that is too hard (or too dangerous) to get it out when that perfect moment arise. For example, take May 1, 1999: I walked through the north face of Everest where Conrad Anker was standing on the remains of George Mallory. The scene I walked into stateperfect - I pulled out my camera, snapped a few frames, and within seconds Conrad was looking in a different direction and the moment was gone. He had my camera was not on hand, the moment would be lost forever .... My solution is to keep my camera in a fanny pack (I use a MountainSmith Aurora II), turned toward the front. This package is my camera, spare lenses, batteries, and cards, plus a couple of activities to keep handwarmerseverything works fine when I shoot.

Stop It Down!

As good as modern digital cameras are still lacking in some areas, especially in the realm of dispatch and outdoor photography. A common problem occurs when shooting in snow - lots of bright white contrasting sharply against the vivid blue sky and dark rocks. Basically tricks sensors and, if left to themselves, the cameras to create images with blown outpoints out, that is, the snow will be all white volume with little or no details. The solution is to manually set your exposure compensation to under-expose the image of 1 / 3 to 2 / 3 stop (-0.3 to -0.7 on most cameras.) Block in this setting the camera and shoot in any shooting modes and your pictures will come out with details in the highlights (snow), but is good in the darker areas.

'Fill Er Up!

Another common problem faced during the shootingof shipments is a climber on a snowy background or bright sky. Take a picture without backlight compensation and will most likely not end up with a properly exposed background and a dark, underexposed the main subject. To resolve this problem, use a little 'fill-flash. But, just insert the flash and shoot away ... Flash is calibrated to balance a person in daylight conditions, and in doing so splash too much light on the subject which gives an unnatural appearance. Goin your flash settings and, as with the exposure compensation mentioned above, manually shut down the flash output. I usually keep my flash stopped up to -0.7 to -1.0 (2 / 3 of a point), and sometimes go even lower depending on your situation. Play with it, and remember that film saying it is cheap - this truism is even more true with the digital!

Sun Star

One of my favorite techniques during the resumption of shipments is to shoot straight at the sun, but getting theexpected results can be frustrating. However, if done right, the result is a dramatic image with the sun (or any bright point-light source) was transformed into a dazzling star. To make it work, you must be able to set the aperture manually (it is not possible on many point-and-shoot cameras). Set the aperture to F-16 or higher - in general, the larger the aperture (the smaller the hole of light-input) the best for this output. Then, with the camera in manual mode, dial theimage and lead exposure ½ to 1 ½ stops under-exposed, adjusting shutter speed. Shoot a frame and make sure the sun is as it is to be interpreted and that the rest of your image is exposed correctly as well.

Zoom in or pull back

As I said before, the perspective is everything. You can turn an image into a monotone one star ... or transform what could be a shot in another shot. Then, try different perspective, and throughthe legs to move and with different lenses to change the view. Sometimes a shot requires a wide angle of view to show all the great view, while others may need to be really tight to emphasize the details. In my ship kit, I am always looking for a balance between flexibility and weight - not always an easy balance, but with modern equipment and a couple of dollars, is feasible. Being a Nikon shooter, I always go with Nikon lenses. My standard kitincludes my Nikon DX Fisheye 10.5 mm for wide angle and telephoto 18-200mm DX VR for a wide range of focal lengths. In my package is my big gun - a 80-400mm VR Nikon telephoto ... heavy, but very useful. With that combination of three lenses, I can get a large ultra-perspective fisheye incredibly close to the 400mm (which, on a Nikon DSLR sensor is equivalent to 600mm on a 35mm camera - powerful enough to bring the summit of Everest up closeand personal base camp!). In addition, we are able to create unique images by simply moving our cameras and our bodies. Lying on the ground and shoots toward the sky or climb up a bit 'higher and shoot a bird's eye view.

Try some 'all

Although today's equipment is amazing, the best photographs require a combination of equipment and personal vision. Rarely has a simple point-and-shoot image to the cover of National Geographic. So, try a bit 'ofeverything on your next outing or expedition. Have fun, play. Understand what I want to tell the story, and then decide what images will be better to tell that story. The best shot is often the one who decided not to take!

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Tuesday, 28 September 2010

Panasonic Lumix DMC-ZS3 10MP - 12x Optical Zoom

Panasonic has won many awards for his digital camera of the TZ series. Now Panasonic has overcome with the Panasonic Lumix DMC ZS3 10MP Digital Camera with 12x Wide Angle MEGA Optical Image Stabilized Zoom.

Top 9 Features:

1 to 10.1 megapixels - With this kind of resolution, you have the ability to print up to poster size.

2 - 12x Optical Image Stabilized Zoom and MEGA-25mm Ultra-Wide -> Angle Lens - You will be able to enlarge further and capture more space in the picture.

3 - "AVCHD Lite" - The Lumix DMC ZS3 is the world's first digital camera to function AVCHD Lite "(HD video recording). "AVCHD Lite" can extend the recording quality with HD audio and video.

4 - Face Recognition - The ZS3 Panasonic has added to its already popular Face Recognition Intelligent Auto (iA) mode. This feature remembers all the settings fromPrevious shots of a subject face

5 - In Movie Mode iA - iA mode automatically selects the best scene and correct handshaking function with OIS (Optical Image Stabilization), and fix any problems focusing and brightness with the Intelligent Exposure function. All this so you can take that perfect shot.

3.6-inch Intelligent LCD High -

7-26 scene modes for still shots and 17 scene modes for Action Shots -

8-NEW - 2 additional"My Scene" Settings - Panasonic Lumix DMC 10MP ZS3 added these two settings allow you to assign your most frequently used two approaches. All you have to do is go from one to another and you will have access to both settings at once.

9 - NEW Panorama Assist - With the High-Speed Burst, you can also shoot about 10 frames per second, which can be used to create your Panoramic Photo.

The Panasonic Lumix DMC ZS3 10MP shooting excellent photos and video. With MEGA 12x-Stabilized Optical Zoom and 25mm Ultra-Wide - Angle Lens, you can get those photos away that were not able to get with the other compact digital cameras. And with the OIS (Optical Image Stabilization), your photos will be clear.

To summarize:

Set the camera mode in iA (Intelligent Auto), point and shoot.

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Saturday, 25 September 2010

Security Camera System - Buyer's Guide

Although the application of CCTV security have not changed much in recent years, instruments and equipment have significantly. Cameras became smaller, cheaper and better, but the major breakthrough happened in recording equipment.

So many customers shopping for complete CCTV monitoring and recording systems are confused by such a truth of available products. The aim of this article is to guide buyers toward best possible and most economical type of CCTVequipment, based on intended implementation and requirements.

Selecting the right cameras.

It 'almost impossible to describe all types of those available in this short article. We will focus our attention and widely used types of camera and more popular, however.

CCTV security cameras produce images using CMOS or CCD (Charge Couple Device) chip. Tiny, very low price CCTV cameras usually use CMOS technology, the production of poor qualitythe pictures are very poor and sensitivity to light. Decent quality CCTV cameras use CCD technology. The size of the CCD chip is normally 1 / 4 ", 1 / 3" or 1 / 2. "As a general rule, the larger the size, the higher the image quality produced and the higher the price. However, the greater density 1 / 4 "and 1 / 3" CCD capable of producing as good an image as many 1 / 3 "or 1 / 2" chips.

The number of TV lines in the image security camera is a measure of image resolution (sharpness). L 'The greater the number of TV lines, the better the resolution and, therefore, the overall image quality. Standard resolution camera may have 350-380 lines, over 400 TV lines is generally considered good resolution while over 500 TV lines is considered high resolution. B / W chip cameras produce greater resolution and better light sensitivity, therefore suitable for use in dark areas where light conditions are poor most of the time.

On the other hand color cameras offer morerealistic and natural. CCTV cameras are usually divided into different types according to the camera body used.

professional grade cameras.

They dump type with the possibility of using different types and sizes of the lenses. Exchangeable lenses enable the camera to track objects from any distance. Although for indoor use, can be used for outdoor when combined with weatherproof housing. They areconsidered the most flexible and widely used by professionals for commercial installations.

Bullet cameras.

Bullet cameras are, as the name suggest contained inside bullet-shaped container.

Most cameras are bullet resistant and sealed without the ability to use different lenses. great advantage of bullet camera is the size and integrated design of small, some bullet cameras will also have infrared LED future built-in. The infrared technology is simply LED in the infrared spectrum (not visible to the human eye). This light goes on display area, making it possible to monitor in total darkness. This is great future, but it only works up to certain distance (usually between 10 and 50 feet depending on model) Vary simple to install and estheticly designed, bullet cameras are ideal for do-it-yourself and residential installations when monitoring objects are within about 25 feet from > Position the camera (with standard 3.6 mm lens).

Board Cameras.

Board Cameras are basically fixed lens mounted on a circuit. These cameras can be packed in a suitcase (Mini Cameras) or dome (Mini Dome) or simply sold unpackaged, for mounting by the buyer. Lenses these are both normal industry aperture or a pinhole "lens "the very small opening. Pinhole lensCameras> are often called "spy" cameras and can be mounted in a hidden way for covert surveillance. The most popular examples of those on board are smoke detectors and hidden cameras motion detector.

Since the lenses of the cameras on board are pre-assembled, have a fixed iris and are usually a short focal length (wide), their flexibility of usefulness is limited. However, this type of camera can provide a low costsolution in the right situation, especially in a home environment. We have briefly described the most common types of cameras, now lets discus, how and where mite be used.

professionals with C / CS mount lens attachment generally offer best performance and many important futures, like lens control output, Back Light Compensation and more ...

Distance from monitoring object to the camera is not a problem, which is why the ability to selectdifferent lenses, depending on the position is so important. The installation is quite complicated and professional installation strongly recommended. We recommend this type of security cameras for commercial installations.

Most Bullet cameras in comparison, do not offer high resolution and lens selection flexibility, but are likely to be weatherproof, some will have built-in infrared light and, especially, are relatively easy to implement. They usually come with3.6 mm lens witch are considered suitable for most standard installations (good for covering small to medium size room or equivalent).

For larger rooms or long distances, cameras with 6mm or higher lens may be required. They are the ideal choice for any do-it-yourself installation.

Board cameras in contrast are widely used in covert camera installations, sometimes called Spy Cameras. Many of those are basically edge with built-intransmitter. We have no intention of going wireless cameras right now, as this would be enough material for completely new article.

Board cameras are sold as a normal circuit, for integrating into hidden camera devices. Are also available in dome housing, as vary popular Dome Camera or integrated with Smoke Detector, Motion Detector, Exit Sign and so on. Most also come with 3.6mm lens although some will bereplaced.

Over time, more practical design has been Dome Camera with its esthetic appearance it blends into the landscape, particularly with holding down, ideal for use in stores, lobbies, gas stations and other public places. Practical solution for covert installation are also, Motion and Smoke Detector cameras, they are absolutely not a substitute for the security alarm or fire protection. They should always be selected based on the position of the camera(Internal / external), distance from the object of monitoring, lighting conditions and budget.

When shopping for security cameras, customers are faced with the fact that you must select one or another recording device.

The days of well-known CCTV time-lapse video recorder is almost over.

Although some people still prefer this style of old recording solution, it is worthwhile to invest more money to buy a good quality digital video recorder (DVR). Digitalrecorder transfers analog camera feeds into digital format and stores it on your hard drive. There are two main types of digital recorders on the market at this time.

PC-based systems.

A special board and software installed on your computer allows camera inputs and store video on hard disk.

Many people are under the misconception that personal computer with additional hardware installed, will do the job. This explains the hundreds ofcompanies that have hung a sign, removed some ads and begun working out of basements and garages, holding out DVR manufacturers and safety specialists. The main problem with this type of CCTV recorders lies in the main component of it ... Yes, it is a computer designed to do unlimited tasks, but not well. The truth is that any computer based digital video recorder is, and will always be vulnerable to software crashes, hang-ups, system instability, virus related problemsetc. ..

Stand alone.

Very similar in appearance and control functions to standard VCR recorders, are truly remarkable devices. Most video processing is done by hardware, therefore eliminating system crashes, video is also stored on the hard disk in digital format. The base operating system, usually Linux, is permanently stored on special processor, witch is possible to overwrite or corrupt. Designed and manufactured with one question in mind, ismuch better in terms of performance and reliability to its PC based rival.

Some DVR systems also have remote monitoring capability, useful when monitoring is required in different locations through Internet or network connection. Most important futures to look for in choosing the right DVR recorder are motion detection and frame rate. The higher the frame rate and more fluent video recording. Motion detection allows recording video from each camera only when motion is detected, this isIdeal for extending video recording time.

Security Monitor.

Video from Security recorder could be displayed on regular TV monitor. All right, do it this way, for the monitoring of the child or the residential application, when the image quality is not so important. However, professional installation, monitor security cameras are very important. They offer a longer life of the cathode ray tube (necessary with any static image, which can cause burnout photo)much grater resolution.

Cables and wiring.

Finally any camera installation requires wiring is correct. high quality cable to prevent video degradation over long distances. It is recommended to use RG59 or RG6 coaxial cable as it is fully shielded to prevent video loss up to 400 feet coaxial cables will require BNC connectors and proper installation possibly done by experienced technicians. In short runs plug and play non-coaxial cables withfactory installed BNC connectors can be used (up to 150 feet). The plug and play cables are easy enough to install, not users.

Cables for CCTV cameras consist of two cables supplied with a jacket. One cable for video and one for power delivery.

Conclusion.

Each CCTV system is good and reliable as its weakest component. With this in mind, investing in more cameras and quality performance, while purchasing low performancerecorder, from economical and practical standpoint just does not make sense.

For example, why use CCTV cameras with 500 TV lines of resolution with monitor that offers only 380 or less. All the benefits of high-resolution camera is affectively sacrificed by limited capability of monitor. Asking questions is important before buying a video security system, and the supplier will probably be able to provide further details and recommend equipment for specific needs andrequirements.

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Thursday, 23 September 2010

2x Digital Telephoto Professional Series Lens + 0.5x Digital Wide Angle Macro Professional Series Lens + 3 Piece Digital Camera Filter Kit + 4GB SD Card+ Deluxe DB ROTH Super Savings Accessory Kit For The Panasonic HDC-DX1, HDC-SD9 High Definition Camcorders

Buy 2x Digital Telephoto Professional Series Lens + 0.5x Digital Wide Angle Macro Professional Series Lens + 3 Piece Digital Camera Filter Kit + 4GB SD Card+ Deluxe DB ROTH Super Savings Accessory Kit For The Panasonic HDC-DX1, HDC-SD9 High Definition Camcorders Order Today!


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Kit Includes:
* 1) 0.5x Digital Wide Angle Macro Lens - When you've run out of room and your back's against the wall and you just can't seem to squeeze everything you want in the shot, just put on this wide angle lens attachment to get it all in the picture. The Wide Angle Lens's detachable Macro Lens enables you to photograph small objects up close. Great for jewelry, coins, stamps, flowers, and more.

* 2) 2x Digital Telephoto Lens - When your digital camera can't get you quite close enough to the action, this 2x telephoto accessory lens will bring the action twice as close to you. This is the ideal lens attachment for sports fans and parents whose kids play sports.

* 3) 3 Piece Digital Camera Filter Kit - Lens filters are translucent pieces of glass placed in front of a camera lens to alter or adjust the light entering the camera, and more importantly to protect the camera lens. This is a combination of the three essential filters no photographer should be without.

* 4) 5-Piece Deluxe Cleaning Kit - This kit contains lens cleaning tissues, lens cloth, lens cleaning liquid, blower brush and cotton swabs
* 5) Lens Pen - The perfect cleaning tool safe for all camera lenses
* 6,7) 4GB SD Card - Take more pictures faster and utilize the full high speed imaging capabilities of your camcorder with the 4GB SD Memory Card
* 8) Deluxe Camera Case - Protect your valuable camera investment
* 9) Spare High Capacity Battery - A spare rechargeable battery is an essential accessory. No power, no pictures!
* 10) Full Size Tripod - Tripod with Carrying Case
* 11) Hurricane air blower
* 12) CapKeeper Lens Cap Strap - Never lose your cap again!
* 13) DB ROTH Micro Fiber Cleaning Cloth - Eliminate dust and smudges
Please note:lenses may come in black or silver depending upon availibility

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Sunday, 19 September 2010

Review of Canon wide-angle lens - the EF-S 10-22mm F 3.5-4.5 USM

I just got my new Canon EF-S 10-22 ultra-wide angle lens. This is one of the most popular Canon lenses and is designed for the "sensor crop" series of DSLRs. More information about what a sensor is then collected. My first thought after a couple of frames is "Wow, this is really wide, wraps around the building."

The question of the day is because I need a 10-22mm wide angle diffuser. I already have an EF-S 18-55 zoom supplied with CanonX1i camera. So what will I do with it more than 8 mm in width for a wide angle shot. 8 mm which is like a football field when I'm shooting a landscape in the distance (and maybe not quite a football field, but close).

There is a great need for those of us who shoot a wide angle lens for landscapes. As you can see in my landscapes tend to shoot wide shots with the mountains and red rocks in the foreground and the horizonin the distance. I was shooting most of my landscapes with my 18mm lens kit on T1i. This means they are shooting at 28.8 mm in 35mm format. This is because the T1i is a camera with a 1.6x sensor crop factor.

Now I have to explain things crop sensor. Suffice it to say that there are three reports of crop sensors on the line camcorders Canon full sensor, 1.3x and 1.6x. This refers to the ratio of the sensor (the chip that sees the image andtranslates to digital). The sensor is the same full size 35mm camera of past years. The two other reports are in fact a subset of the full sensor and 35mm film. In practical terms this means that the sensor would see the entire full football field, the sensor would 1.3x yard inside the lines 20 and the 1.6 factor that captures within 30 yard lines. Now, the math majors out there I keep the proportions correct, I'm just trying to illustrate the concept.

Here is a list showing how their sensor Canon cameras:


Canon EOS 1Ds Mark II and II (Full Frame)
Canon EOS 5D and 5D Mark II (Full Frame)
Canon EOS 1D Mark III, IV (1.3x Crop Frame)
Canon Digital Rebel, T1i, XSi, XS (1.6 x Crop Frame)
Canon EOS 20D, 30D, the 40D, 50D, 7D (1.6 x Crop Frame)

Now, what all this has to do with me wanting, needing, lusting after a 10-22mm wide angle? Now you know that this goal is best for my > Camera (damn, that took a long time). You also know that the 10mm, the widest of wide angle, is actually a 16 mm on my camera than it appears on a full frame camera. Which is still very good and really captures ranging views of those who are so fond of red rocks.

What about the other characteristics of the lens? All the reviews I've read make it a very high quality "glass." Canon designates their top-of-the-lineLenses> with the letter "L" in the description. Although the EF-S 10-22 f/3.5-4.5 does not carry "The designation" means the use of three aspherical elements and an SD is a common feature of a lens quality. My first first shots with the lens I was left with the impression that it is as clear and crisp.

This has a quality of optics and is not a "low-end target of consumer type. Some experts have suggested that if it was not a type EF-S lenscould have received the designation "L, but since it is not appropriate for a pro level DSLR (EOS 5D, 1Ds series), Canon does not give a" The professional designation. In fact, not EF-S have the "L" designation to date.

EF-S lenses, of course, are only designed for use with APS-C (1.6x) sensor Canon DSLR and currently only physically mounted on the Digital Rebel series and EOS 20D, 30D, 40D, 50D 7D. The EF-S design allows the item back to be closer to the sensorthen EF, improve image quality, especially in shorter focal lengths. The "S" in EF-S means "fire while ago" and now you know why.

There are many technical reasons that this goal is good for long shots and landscapes. The reviews have shown that it is very strong and very fast when autofocus. That will be noted on the downside, if you use this aim a person looking closely will make them look like they are standing inThe circus shows with distorted mirrors. It 'clearly designed for those shots that are as wide as all outdoors.

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